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TV Review - Sense8: Season 1

Weirdly enough, there is a connection between my last entry here, the review of David Mitchell's The Bone Clocks, and Netflix' latest extravaganza, Sense8. Leaving aside the fact that some of the new show's creators, The Wachovskis (yes, them of Matrix fame) also directed the movie adaptation of Mitchell's Cloud Atlas, both works deal with the apparent connections between total strangers who seem to either live at different times or in different geographical locations, and while they don't know each other, appear to actually be part of something bigger that binds them together.

In Sense8 we are following eight individuals, in eight (actually, in total, nine) different locations, who over the span of a number of episodes discover that despite the distances, language barriers, time zones and cultural differences, they actually belong together and share a common bond. I will dispense with spoilers and will not engage in analysing each character and what their storyline entails, but suffice it to say that every person's story is told in a different style, with scenes shot on location, and that before long one realises that the logistical nightmare of organising shoots across the planet with eight actors whose storylines tend to "bleed" into each other (meaning at some stage the Chicago character had to have been in Seoul for his footage there whereas the Mumbai actress had to plan her takes in Berlin and vice versa) was handled with jaw-dropping precision and accuracy. Joining the Wachovskis in creating this gem of a show is none other than Babylon 5 show-runner J. Michael Straczynski. The writing is tight, the character development is handled deftly, and besides the metaphysical aspects of the project, what you have here is a story about people and what they do with their lives when they discover they are part of something unusual and, to them, new.

As is true with a great number of shows that are part of the recent renaissance of quality television series, the point with Sense8 is to take one's time. There's no need to rush things and it's best to let the story unfold itself slowly. Some reviewers who relied either on the first episode or, as in many cases, the first three they received for that purpose, and who didn't bother to take the time to finish the whole series before rendering their verdict, misjudged this little masterpiece and their reviews prove it. Personally I found this show to be captivating, making me care for these characters, and most of the high points hit their mark extremely well. I found it to be original and exciting and perfectly suited for Netflix-style binge-watching.

The series trailer should give you a "sense" of what it is you are about to embark on should you decide to take the plunge.

PostedJune 16, 2015
AuthorJehuda Saar
CategoriesTV Review
Tagssense8, wachovskis, babylon 5, J. Michael Straczynski, netflix, David Mitchell, The Bone Clocks, Cloud Atlas, The Matrix
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Book Review - The Bone Clocks by David Mitchell

Mr Mitchell's "Cloud Atlas" is a book that made quite an impression on me a few years back. Framed in an unusual structure, it is in essence six novellas that form a very satisfying whole. Prior to reading "The Bone Clocks", "Atlas" had been the only other Mitchell book I had read. With "Bone Clocks" Mitchell once again uses a structure of six interconnected stories, each written in a different style, with one recurring character, and two of the stories told in that character's voice.
Without spoiling much, the book revolves around two groups of "immortals" waging a centuries old battle, with at least one side moving through the ages by having their souls inhabit different people as they progress. The author uses that format to express some opinions about world politics, specifically different aspects of Middle-East flash-points such as the American presence in Iraq or the Israeli Palestinian conflict among others.
Mitchell also made the unusual decision to take a character from his previous novel, 2010's historical novel "The Thousand Autumns of Jacob De Zoet" and make him/her a central figure in "Clocks". Reading "Thousand Autumns" before "Clocks" is not necessarily a pre-requisite, the book stands perfectly on its own, but I'll probably be joining the numerous readers who will now have to discover that connection in the wrong order. To some extent it is similar to Neal Stephenson's use of recurring named characters in his "Cryptonomicon" and "The Baroque Cycle". Not reading one should not affect enjoying the other.
Personally I didn't enjoy "Clocks" as much as I had "Atlas". The satisfaction in "Atlas" comes from the completeness of that work, the way everything ties together so perfectly. The joy in reading "The Bone Clocks" lies more in the parts, the individual novellas, than in the whole: appreciating the individual styles, the humour in one, the drama and metaphysical aspects in the next. Mitchell is a skilful writer and seems to have a good time trying out different story-telling forms, sometimes to the detriment of the book as a self-contained novel.

PostedJanuary 11, 2015
AuthorJehuda Saar
TagsDavid Mitchell, The Bone Clocks, Cloud Atlas, Novel, Novella, Book Review, Neal Stephenson, Cryptonomicon, The Baroque Cycle, The Thousand Autumns of Jacob De Zoet
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